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"Pooh," said Patricia, turning from her own reflection with a gay laugh. "You don't need to try. I do worship beauty, and I always shall. I like to laugh and sing and be happy. I like blue skies because God made them that way. And I don't think a pink rose is wickeder for being pink than if it were grubby gray. I think being happy is the serious business of life—when you take other people in with you—and I reckon God thinks so too." But Patricia was too much absorbed to heed. Elinor nodded mutely, and Patricia, pulling down the shades so that the street light did not flicker on the pale wall, tiptoed out of the room, to caution Judith and await the coming of Doris Leighton..
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"There isn't any more goodness in dismal looks, no, nor half so much, as in happy faces. Don't the cherubim sing eternally? Is there anything said about dark days in the New Jerusalem? I'm ashamed of you, Judith Kendall, for not knowing that it's twice as brave and good to be cheerful and pretty as it is to be moping and dull. Look at Elinor—would we love her if she'd been fussing about the hard times we had? Not much! Every bright smile she had for those horrid times has made her more adorable to me and I look on every bit of happiness we had in those poor days as just so much wrested from the powers of darkness." She stopped suddenly, with a little gasp of embarrassment, as Elinor entered. "Three pounds of candy for the modeling and composition class, four for the head and illustration class, and five for the life," was the prompt response. "Who lost it there?" asked Sarby, abruptly. "Isn't it funny how familiar that antique room looks?" said Patricia with enjoyment. "I feel quite like an old residenter already. By the time my clay comes I'll have the sensations of the oldest inhabitant.".
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